Movies: Lawrence Jordan

This wacky prequel to the 1994 blockbuster goes back to the lame-brained Harry and Lloyd's days as classmates at a Rhode Island high school, where the unprincipled principal puts the pair in remedial courses as part of a scheme to fleece the school....

Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laug...

Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery....

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movi...

A new and original collage film by Lawrence Jordan....

A sombre day in the city. "A Legend for Fountains" is the 16-minute version, "A Fable for Fountains" the 6-minute version....

Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to...

Jordan’s imagery is exquisite and eloquent, concentrating on simple, repeated use of particularly poetic symbols and figures, a conglomerative effect of old Gustave Dore drawings, 19th century whatnot memorabilia, all fused to a totally aware percept...

Where all is static motion; where music and light become one; where change and motion become one; and where the end is the beginning. Black and white cut-out animation with touches of color. Ladies of the past encounter science and natural phenomena....

A celebration of the filmmaker’s daughter’s birth. The blazing garden as a metaphor for the cycle of life....

"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the st...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival W...

On ancient star maps of magnificent color quality, experimental animator Lawrence Jordan takes the viewer out of this world into a world of cosmic imagination.—Canyon Cinema...

Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess of wisdom, Sophia. Writes Jordan, "I must emphasize that I do not know the exact significance...

The Visible Compendium constructs bits of unnamed meanings, fragments of light. Photography is, to me, not about things, but about light. Light is our primary reality when we are at the movies. Light which suggests things, the secondary reality, a co...

Orson Welles reads the poem especially for this film by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts....

Featuring a card game played on the body of a naked woman, Lawrence Jordan portrays male sexual frustration while slyly satirizing Hollywood reaction shots....

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another ...

In this exciting concert appearance, Sheryl Crow powerfully demonstrates why she is one of today's truly distinctive voices. Uncompromising, open, witty, sardonic and surprising, Sheryl hooks the listener immediately with music that's both reflective...

Part of a trio of films that also includes ADAGIO and WINTER LIGHT, IN A SUMMER GARDEN "draws much of its power from the way it is constructed and the ways it deals with images... [T]he camera pans and pauses, almost passively looks at the fields of ...