Movies: Simon Liu
- 1994
Family Affairs (1994)
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Traditional values and modern ideals clash when an old-fashioned father and his playboy son cannot see eye to eye in this honest look at the sometimes fragile father, son relationship...
- 2024
Refuse Room (2024)
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Tangled spirals, rapid encounters, a quiet war between the vertical and the horizontal: Simon Liu’s Refuse Room captures Hong Kong’s architectural densities and lurid fluorescence through shadows, graffiti, and detritus, surfacing the tense and dizzy...
- 2022
Devil's Peak (2022)
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In the hyperkinetic multichannel video installation Devil’s Peak, Simon Liu surveys the psychogeography of Hong Kong as a feverish dreamscape, activating charged sites of recent civic upheaval, personal heritage, and postcolonial legacies....
- 2021
Happy Valley (2021)
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In Hong Kong, echoes of resistance and turmoil are sensitively captured on 16mm in this poetic rumination of public spaces and everyday life in a metropolis in upheaval....
- 2020
Signal 8 (2020)
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Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmi...
- 2024
Single File (2024)
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In the wake of cataclysmic regional change in the artist's homeland of Hong Kong, Simon Liu’s Cinema-Strobo-Scopic film features a laborious sequence of analogue darkroom practices and dense shrouds of video processing techniques which actively work ...
- 2018
Sneyd Green (2018)
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It’s any day, any year in the house of Alan and Vera Ellis in their Post-Industrial English conurbation formerly known for their world renown pottery industry, yet this week they are interrupted by their 16mm camera toting grandson. This year's sprin...
- 2019
E-Ticket (2019)
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A film sixteen thousand splices in the making. E-Ticket is a frantic (re)cataloguing of a personal archive and an opportunity for rebirth to forgotten images. 35mm photographs and moving pictures are obsessively cut apart, reshuffled then tape splice...
- 2022
Hide & Seek (2022)
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Hide & Seek offers a layered reflection of Liu’s body of work, playfully repurposing images of urban spaces and personal histories. Composed with modular synthesizers, the soundscapes in this series open new generative possibilities in the artist's c...
- 2018
Star Ferry (2018)
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Impressions of Hong Kong and Tokyo by day and night shot entirely with a 35mm still camera. Star Ferry is structured between moments of stasis and frenetic movement, drawing out tensions between abrupt passages forward past neon signs and LED adverti...
- 2017
Highview (2017)
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Personal moments are lost in film cuttings or disappear into a coloured fog only to suddenly reappear in a new constellation. This is the visual richness of Highview: four, partially overlapping, 16mm images that fully coalesce into a colourful abstr...
- 2014
Donkey Riding (2014)
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This past summer I spent a month in Hong Kong with my family in the house I grew up in....
- 2023
Let's Talk (2023)
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Produced during the 25th anniversary of Hong Kong’s handover from Great Britain to Mainland China in the wake of cataclysmic regional changes, Simon Liu’s dizzying, claustrophobic Let’s Talk captures the anxiety of an uncertain future....
- 2015
Harbour City (2015)
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A view through cracks between fish markets and high-rise buildings; urban imagery of Hong Kong and the indulgence of domestic life. Hong Kong's hyperactive fish market in overwhelming colors....
- 2020
- force - (2020)
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A promise for outstanding regulatory conduct is called into question. A fire has been started, movement has gone on to reach multiple points of no return. A response to the new order of an all-encompassing yet undefined set of rules; a symbolic depic...
- 2015
Shuffle Cove (2015)
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Harmony (n.) a consistent, orderly, or pleasing arrangement of parts; congruity. Forgive my nerves— rattling of my subjective coloring and inverted subjects! With a focus on my affinity for the ephemeral, this is in part a remix of left over footage...
- 2018
Fallen Arches (2018)
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Global in scope but intimate in spirit, Simon Liu's Fallen Arches is a dizzying assembly of footage shot between the bucolic English countryside and buzzing metropoles New York and Hong Kong....
- 2014
Afternoon In (2014)
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An afternoon in to myself. Digging in inside. Ink spills: spilt nothing or at least no thing that I was fast enough to film. Light shines on mangled legs, basking like a cat, working on a cut. Sixteen bi-packed, rewind knob, winding back for density;...
- 2012
Ditchwork (2012)
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Ditchwork uses intimate physicality, folk-tale themes, and lush imagery to imaginatively fill in the blanks of a family history that is, like every history, both deeply known and unfathomably mysterious....
- 2009
Flyer Boy (2009)
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"Flyer Boy" focuses in on a young man who spends his days handing out flyers for a local Chinatown restaurant. His work is full of fleeting exchanges, passing gestures and people he tries to communicate with....